Three Uses of the Knife: On the Nature and Purpose of Drama

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Three Uses of the Knife: On the Nature and Purpose of Drama

Three Uses of the Knife: On the Nature and Purpose of Drama


Three Uses of the Knife: On the Nature and Purpose of Drama


PDF Download Three Uses of the Knife: On the Nature and Purpose of Drama

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Three Uses of the Knife: On the Nature and Purpose of Drama

The purpose of theater, like magic, like religion . . . is to inspire cleansing awe. What makes good drama? And why does drama matter in an age that is awash in information and entertainment? David Mamet, one of our greatest living playwrights, tackles these questions with bracing directness and aphoristic authority. He believes that the tendency to dramatize is essential to human nature, that we create drama out of everything from today’s weather to next year’s elections. But the highest expression of this drive remains the theater.          With a cultural range that encompasses Shakespeare, Bretcht, and Ibsen, Death of a Salesman and Bad Day at Black Rock, Mamet shows us how to distinguish true drama from its false variants. He considers the impossibly difficult progression between one act and the next and the mysterious function of the soliloquy. The result, in Three Uses of the Knife, is an electrifying treatise on the playwright’s art that is also a strikingly original work of moral and aesthetic philosophy. 

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Product details

Paperback: 96 pages

Publisher: Vintage; 1st Vintage Books ed edition (June 13, 2000)

Language: English

ISBN-10: 037570423X

ISBN-13: 978-0375704239

Product Dimensions:

5.2 x 0.3 x 8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

36 customer reviews

Amazon Best Sellers Rank:

#142,982 in Books (See Top 100 in Books)

The book shows a publisher's date of 1998, so it pre-dates the rise of social media and Orwellian control of our means of communication. Mamet is 10-15 years ahead in his analysis of media, feminism, men and women, and the future of television and cinema. For this reason, I suggest buyers file this book in the reference section of their library. I bought it first in 2000, gifted numerous copies to friends, and pulled it out again just yesterday for a 4th read. It resonates stronger today than when Mamet penned his words. Perhaps this is why reviewers of this book are somewhat less than enthusiastic. Were they to re-read it today, their star rating would rise. Yes, Mamet can get hung up on the flies in the ointment, but he also foretells well in advance of the general public. A keeper.

This book's unfulfilled promise hung in the back of my mind until I finally reread it and realized that my previous review was a comment on my own mental state at the time, not on the book itself.When read as a series of loosely connected monologues regarding the philosophy and art of storytelling this is as good as all the other 5-star reviews say it is. Short but deep; not superficial, must be read as much emotionally as logically.Original confused review:I don't remember where I read this book praised so very highly that I bought it that day, so I don't remember the context. I found it meandering to the point it was almost incomprehensible. Perhaps I'm just not privy to Mr. Mamet's particular sort of genius, but I found little to benefit my writing life.

You will find no better explication of drama. Period. Mamet is a genius with words and emotions. This treatise is as valuable for a novelist or a storyteller as it is for a screenwriter or playwright. Absolutely astounding.

Mamet is known as a pioneer of the theatre. He was one of the first to use pure dialogue as action, thus begat Tarantino and a million other "gritty" talk-fests. But here, Mamet writes three essays about WHY we like to watch. He analyzes the human nature of wanting to view drama: be it Hamlet, the weather, or a close football game. They all captivate us. But why? Like the writings of Peter Brook, or Stanislavski, each reading bears new fruit. Some of it will pull the rug out from under the "hero-worshipping" theatre crowd. Some will give a sigh of relief. All of it is revealing.

I think that this book follows Mamet's M.O. to a tee - It is very erudite, yet I find myself laughing. His writing is very thought provoking in this essay on using your writing to convey meaning. It is not his best book, but it is certainly worthy of the 1 hour it takes to read.I think this book, as other Mamet books, benefits by his ironclad belief that there is one way to do things. He may actually argue that his POV is not consistent with my last sentence, but he is such an ornery S.O.B., that it is simply a pleasure to listen to him go off on his tirades and tangents.Will this book allow you to write better? - Maybe. Will this book thoroughly entertain you and enlighten you with Mamet's POV on the issue? - Absolutely. It reads almost like fiction.

After I was done reading it I realized I had highlighted about 50% of the book’s text, we’ll just leave it at that.

A thought-provoking book. Mamet cuts through the drivel of television news and skewers the "information age." Along the way he sheds light on how a story teller, dramatist, playwright or novelist can construct a meaningful drama.

Mamet is Mamet. If that doesn't say anything to you, then buy the book or watch Glengarry Glen Ross or House of Games

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